Nanette Norris is Assistant Professor of English at Royal Military College Saint-Jean, Saint-Jean-sur-Richelieu, Québec, Canada.
She has a Ph.D. from l'université de Montréal, Québec, Canada. She has taught English at Marianopolis College, University of Guelph, University of Guelph-Humber, and Wilfrid Laurier University.
She has recently been elected to the Executive Board of the D.H. Lawrence Society of North America.
Her work focuses on cultural studies (especially the culture of war), trauma studies, and Modernist authors.
New project: WWI and Literary Modernism. This is an edited volume of essays by renowned Modernist literary critics, which will be published for the centenary of WWI.
Just published: Words for a Small Planet: Ecocritical Views (Lexington Books, 2013). This is an edited volume of international essays on ecocriticism.
"War and the Liminal Space: Situating The Lion, the Witch and the Wardrobe in The Twentieth Century Narrative of Trauma and Survival," in C. S. Lewis: The Chronicles of Narnia—New Casebooks, edited by Michele Ann Abate and Lance Weldy (Palgrave Macmillan, 2012).
"The Road to Paris in Tim O'Brien's Going After Cacciato," in Paris in American Literatures: On Distance as Literary Resource, edited by Jeffrey Herlihy-Mera and Vamsi K. Koneru (Farleigh-Dickinson UP, 2013).
Upcoming: Attack on All Fronts: The Culture of War in the Twentieth-Century (Fisher Imprints).
Her articles have appeared in Engaging the Enemy: Canada in the 1940s, ed. Muriel Chamberlain and Andrew Hiscock; Images of the Child, ed. Harry Eiss; Weaving Alliances, ed. Debra Martens; as well as in The D.H. Lawrence Review and numerous conference publications. She co-edited Uneasy Humanity: Perpetual Wrestling with Evils (with Colette Balmain). A book review, "How Free is Free," has just been published by Canadian Literature: http://canlit.ca/reviews/how_free_is_free.
She has a Ph.D. from l'université de Montréal, Québec, Canada. She has taught English at Marianopolis College, University of Guelph, University of Guelph-Humber, and Wilfrid Laurier University.
She has recently been elected to the Executive Board of the D.H. Lawrence Society of North America.
Her work focuses on cultural studies (especially the culture of war), trauma studies, and Modernist authors.
New project: WWI and Literary Modernism. This is an edited volume of essays by renowned Modernist literary critics, which will be published for the centenary of WWI.
Just published: Words for a Small Planet: Ecocritical Views (Lexington Books, 2013). This is an edited volume of international essays on ecocriticism.
"War and the Liminal Space: Situating The Lion, the Witch and the Wardrobe in The Twentieth Century Narrative of Trauma and Survival," in C. S. Lewis: The Chronicles of Narnia—New Casebooks, edited by Michele Ann Abate and Lance Weldy (Palgrave Macmillan, 2012).
"The Road to Paris in Tim O'Brien's Going After Cacciato," in Paris in American Literatures: On Distance as Literary Resource, edited by Jeffrey Herlihy-Mera and Vamsi K. Koneru (Farleigh-Dickinson UP, 2013).
Upcoming: Attack on All Fronts: The Culture of War in the Twentieth-Century (Fisher Imprints).
Her articles have appeared in Engaging the Enemy: Canada in the 1940s, ed. Muriel Chamberlain and Andrew Hiscock; Images of the Child, ed. Harry Eiss; Weaving Alliances, ed. Debra Martens; as well as in The D.H. Lawrence Review and numerous conference publications. She co-edited Uneasy Humanity: Perpetual Wrestling with Evils (with Colette Balmain). A book review, "How Free is Free," has just been published by Canadian Literature: http://canlit.ca/reviews/how_free_is_free.